Abstract
Ethnographic studies were made of village-based potters and their workshops in Bannu District, Pakistan in December 1991. We analysed the complex and varied technological, ecological and socioeconomic aspects of specialised and highly skilled production of hand-made unglazed pottery for both local consumption and centralised sale in the bazaar in Bannu City. Specific attention was paid to factors such as raw materials, fuels, diverse types of equipment, skills (including gender-specific skills) and their transmission, and the sequence of operations (chaîne opératoire) involved in making a range of ceramic products. The village-based potters of Bannu District operate within a complex cash-based market economy, facing competition from alternative products of modern industry and from alternative and more lucrative forms of employment. The impact of such factors on the social reproduction or extinction of potters’ lineages is considered. Resilience strategies vary widely, including specialized production of a more limited range of wares, or increased diversity of the wares produced. We outline recent theoretical debates on the meaning, purpose and methodologies of ethnoarchaeology, and briefly examine what lessons, if any, arise from our study for interpreting ceramics and ceramic production in the archaeological record. Although dependent on technological and socio-economic contexts, we suggest that often there will be few directly applicable ‘positive’ or valid analogies. Our observations and interpretations, however, indicate that archaelogical interpretations must bear in mind factors such as synchronous variability in practices and the often highly complex interacting networks, or entanglements, of diverse technological and socio-economic factors, which often extended and ramify way beyond and simple linear chaine operatoire model of pottery production. we conclude by suggesting avenues for future research in Bannu and beyond.